Showing posts with label OTT. Show all posts
Showing posts with label OTT. Show all posts

Thursday, July 16, 2020

Is OTT ideal for Indian filmmakers to release big-budget films?

Is OTT ideal for Indian filmmakers to release big-budget films?

Following the COVID-19 spread around the globe, the entertainment industry has come to a halt. Many films that were under production were stopped along with other theatrical runs.
The movies that were scheduled to release in this summer were postponed indefinitely. The people who work in the industry were severely impacted including major producers and production houses.
The only option that looked feasible for the filmmakers who had the film ready to release was releasing movies digitally in Over-the-top platforms skipping the theatrical release.
Amazon Prime video brought the steaming rights of movies Amitabh Bachchan and Ayushman Khurana starrer Gulabo Sitabo, Vidya Balan’s ‘Shakuntala Devi‘, Tamil legal drama ‘Ponmagal Vandhal‘, Malayalam film ‘Sufiyum Sujathayum’, Tamil and Telugu film ‘Penguin’’ and two Kannada movies  — ‘French Biryani‘ and ‘Law’.
Netflix that that keep releasing original movies on a regular basis continued its releases with films like Choked-Paisa bolta hai, Chaman Bahar, What are the odds?, and Bulbul. It is also gearing up to launch Janhvi Kapoor starrer ‘Gunjan Saxena’.
Disney + Hotstar, on the other hand, had bought the premier rights to eight Bollywood movies including Akshay Kumar’s ‘Laxmmi Bomb’, Ajay Devgan’s ‘Bhuj: The Prime of India’, and Mahesh Bhatt’s ‘Sadak 2’ and Sushant Singh Rajput starrer-‘Dil Bechara.’
Despite all these releases in OTT platforms there are some producers who decided to wait for the pandemic to get over so that the audience can experience their movies on silver screens.
“Sooryavanshi”, directed by Rohit Shetty, was originally scheduled to release on March 24 and Kabir Khan-helmed “’83” was set to hit the cinema houses on April 10. However, due to the COVID-19, they had to postpone the movies.
Production House Reliance Entertainment has decided to release “Sooryavanshi” on Diwali, while Ranveer Singh-starrer “‘83” on Christmas later this year.
In the end, a question remains in many people’s mind is why big budget film makers shy away from OTT platforms. The OTT platforms have a long way to be a preferred choice for big budget movies.
The direct OTT launch helps to be an easy way for low-budget movies like ‘Gulabo Sitabo’, ‘Penguin’ and many others to gain profits. It also helps the makers reach mass audience with little to no cost along with ensuring a return on investment. However, this option might not be ideal with big-budget films in India.
When Telugu fantasy movie, Bahubali-2: The conclusion released in 2017, it was made with a budget of Rs. 250 Crores and made an estimated business of Rs. 1,810 crore globally which is nearly more than 6 times the actual budget of the film.
This goes the same with Rajnikanth starrer-2.0 which was a sequel of Enthiran(Robot). This movie was made on a budget of Rs. 570 crore and bagged close to Rs. 800 crores in box office.
When we look at both these examples it shows that no producers of big budget films would be interested in releasing such films in OTT platforms directly purely because of their mass theatrical releases globally and higher box office earrings, which cannot be expected from online releases.
At this moment, we can expect the OTT platforms to be release lower budget films that may not have got a bigger audience around the globe which streaming platforms provide.

Wednesday, July 8, 2020

I&B ministry wants OTT contents like Netflix, Amazon Prime under its purview

I&B ministry wants OTT contents like Netflix, Amazon Prime under its purview

New Delhi: The Information and Broadcasting (I&B) Ministry has proposed bringing under its purview the contents being streamed on the several over-the-top (OTT) platforms, said a top ministry official said on Tuesday, July 7.
At present, OTT platforms that are digitally streamed falls under the domain of the Ministry of Information and Technology (IT).
OTT being a digital platform will fall under the purview of the Ministry of IT but now we are proposing a decision that the content should fall within the purview of I&B ministry,” said Ministry of Information and Broadcasting Secretary Amit Khare.
He said, “There is a need for convergence of various ministries (in this regard), particularly in the ways changes are happening, (it) is extremely necessary”.
Khare rued that regulatory regimes in India have been developed as per the platforms and the country has no regulations as of now for the emerging media like OTT players.
Out of “five different media print, radio, TV, films and OTT four of them have certain kinds of regulatory practices and one is unregulated”, he said adding that currently a film released on OTT is not covered under the Central Board of Film Certification as it not exhibited as a film there.
Recently during the lockdown, several OTT platforms such as Netflix, Amazon Prime, Zee5, ATLBalaji have witnessed a huge jump in their subscription.
As movie halls are also closed due to lockdown, several production houses have released their movie directly on OTT, bypassing theatrical releases.
While talking about the convergence, he said that telecom and media & entertainment should be on equal footing in terms of adjusted gross revenue (AGR).
“What happens to AGR in telecom has to be applicable in the M&E sector. We cannot have two different rates of AGR for the telecom sector and M&E sector for DTH providers. So there is a need for convergence,” the secretary said.
He also stressed on the need to have a level-playing field, but quickly added that this does not mean that all would be brought under a “very heavy regulatory structure”.
The focus of the government in the last few years has been on “less regulation but more effective regulation”.
Khare, who also holds HRD secretary portfolio, said that now the role of online platforms in the education sector has expanded after the pandemic.
He said that there is also a need to link human resources development with media and entertainment as post-pandemic there are several videos on online learning.
“In this sector, we can easily transform India”s education,” Khare said.